Driven by belief in the divine purpose of architecture, van der Laan devised an incredibly democratic methodology which was supposed to help literally any architect to build harmonious spaces. Even today, the system remains applicable – also in civic architecture – and could probably benefit from a well-designed supporting software.
Van der Laan’s favourite references, such as Stonehenge, temples of Paestum and the Roman houses in Ostia demonstrate his avid interest in universality of forms. No surprise, that the Bendectine order saw his system and austere sensibility of designs as almost inappropriate in the conventional Catholic context.
Belgian architect and researcher Caroline Voet who for years investigated van der Laan’s methodology, testing its practical applications, helped us to discover this almost unknown visionary and introduced us to the world of the Plastic Number.